Martin Lewis - Quarter of Nine Saturday's Children, 1929, etching.Est. USD$ 12,000-$18,000
Scenes of the City: Prints, Drawings & Paintings of New York 1900-2000 at Swann Auction Galleries in New York on 16th September.
From the website: 'The top lot is Edward Hopper’s Night Shadows, etching, 1921 (estimate: US$30,000-50,000), an important print depicting the same location near the Hudson River as his 1913 painting, New York Corner, in the Museum of Modern Art, New York.
Etchings from the turn of the century, like Childe Hassam’s Fifth Avenue, Noon, 1916 (US$10,000-$15,000), and Washington’s Birthday, Fifth Avenue and 23rd Street, 1916 (US$8,000-$12,000), showcase American Impressionism and a divergence from the European tradition. John Sloan’s etchings, Sculpture in Washington Square, 1925 (US$2,500-$3,500), Fourteenth Street, The Wigwam, 1928 (US$2,500-$3,500), which illustrates the last physical address of Tammany Hall, and George Bellows’s lithograph, Solitude, 1917 (US$1,500-$2,500), exemplify the Ash Can School, where the gritty realism of Manhattan took center stage.
A run of works by Martin Lewis portrays Manhattan as both dark and elegant. His rare drypoints include Corner Shadows, 1930 (US$7,000-$10,000), Little Penthouse, 1931 (US$15,000-$20,000), Chance Meeting, 1940-41 (US$10,000-$15,000), Stoops in Snow, 1930 (US$20,000-$30,000), Shadow Dance, 1930 (US$20,000-$30,000), Spring Night, Greenwich Village, 1930 (US$15,000-$20,000), and Winter on White Street, 1934 (US$18,000-$22,000).
Lithographs by Raphael Soyer and Louis Lozowick represent the men and architecture of Depression-era Manhattan. Lozowick’s Mural Study: Lower Manhattan, 1936 (US$7,000-$10,000), and Mural Study: Triborough Bridge, 1936 (US$4,000-$6,000), relate to the artist’s commission from the Treasury Relief Art Project for two large oil paintings to adorn the walls of the Midtown Manhattan Post office at 33rd Street and 8th Avenue—they are still there. Soyer’s rare lithographs of people in the Lower East Side, The Mission, 1933 (US$12,000-$18,000), and Bowery Nocturne, 1933 (US$10,000-$15,000), each have hand colouring in watercolour.
A watercolour by George Grosz, Brownstone Houses, New York, circa 1937 (US$8,000-$12,000), stems from the time he emigrated to the United States from Germany in 1937. Additional watercolours include Reginald Marsh’s Tugboats Near the Brooklyn Bridge, 1938 (US$12,000-$18,000), and James Heseldin’s Fulton Street and Brooklyn Bridge, circa 1925 (US$1,000-$1,500).
Rounding out the sale are a selection of choice paintings, including Arthur Ernest Becher’s Drydock, New York, oil on canvas, 1912 (US$2,500-$3,500), Lydia Cooley’s oil on board Ringling Brothers, circa 1935 (US$1,500-$2,500), Don Freeman’s Meat Market, oil on wood panel, circa 1935 (US$1,200-$1,800), and Harry Gottlieb’s Winter Park Scene, New York, oil on canvas, circa 1930s (US$2,000-$3,000).'
I like cityscapes and I recommend having a look at the online catalogue.
From the website: 'The top lot is Edward Hopper’s Night Shadows, etching, 1921 (estimate: US$30,000-50,000), an important print depicting the same location near the Hudson River as his 1913 painting, New York Corner, in the Museum of Modern Art, New York.
Etchings from the turn of the century, like Childe Hassam’s Fifth Avenue, Noon, 1916 (US$10,000-$15,000), and Washington’s Birthday, Fifth Avenue and 23rd Street, 1916 (US$8,000-$12,000), showcase American Impressionism and a divergence from the European tradition. John Sloan’s etchings, Sculpture in Washington Square, 1925 (US$2,500-$3,500), Fourteenth Street, The Wigwam, 1928 (US$2,500-$3,500), which illustrates the last physical address of Tammany Hall, and George Bellows’s lithograph, Solitude, 1917 (US$1,500-$2,500), exemplify the Ash Can School, where the gritty realism of Manhattan took center stage.
A run of works by Martin Lewis portrays Manhattan as both dark and elegant. His rare drypoints include Corner Shadows, 1930 (US$7,000-$10,000), Little Penthouse, 1931 (US$15,000-$20,000), Chance Meeting, 1940-41 (US$10,000-$15,000), Stoops in Snow, 1930 (US$20,000-$30,000), Shadow Dance, 1930 (US$20,000-$30,000), Spring Night, Greenwich Village, 1930 (US$15,000-$20,000), and Winter on White Street, 1934 (US$18,000-$22,000).
Lithographs by Raphael Soyer and Louis Lozowick represent the men and architecture of Depression-era Manhattan. Lozowick’s Mural Study: Lower Manhattan, 1936 (US$7,000-$10,000), and Mural Study: Triborough Bridge, 1936 (US$4,000-$6,000), relate to the artist’s commission from the Treasury Relief Art Project for two large oil paintings to adorn the walls of the Midtown Manhattan Post office at 33rd Street and 8th Avenue—they are still there. Soyer’s rare lithographs of people in the Lower East Side, The Mission, 1933 (US$12,000-$18,000), and Bowery Nocturne, 1933 (US$10,000-$15,000), each have hand colouring in watercolour.
A watercolour by George Grosz, Brownstone Houses, New York, circa 1937 (US$8,000-$12,000), stems from the time he emigrated to the United States from Germany in 1937. Additional watercolours include Reginald Marsh’s Tugboats Near the Brooklyn Bridge, 1938 (US$12,000-$18,000), and James Heseldin’s Fulton Street and Brooklyn Bridge, circa 1925 (US$1,000-$1,500).
Rounding out the sale are a selection of choice paintings, including Arthur Ernest Becher’s Drydock, New York, oil on canvas, 1912 (US$2,500-$3,500), Lydia Cooley’s oil on board Ringling Brothers, circa 1935 (US$1,500-$2,500), Don Freeman’s Meat Market, oil on wood panel, circa 1935 (US$1,200-$1,800), and Harry Gottlieb’s Winter Park Scene, New York, oil on canvas, circa 1930s (US$2,000-$3,000).'
I like cityscapes and I recommend having a look at the online catalogue.
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